The Monster at the End of This Book by Jon Stone is a classic text in Muppet studies, standing out as one of the seminal works in the genre. The story, as such, consists of "lovable, furry old Grover" breaking the fourth wall to conduct a conversation with the reader. Since the title frightens Grover, he begs the reader not to continue on with the story -- a desire that obviously never be fulfilled, as the pages continue on, nonetheless. In a way, then, the entire book can be seen as a sadistic exercise; in order to engage with the text, it is necessary for the reader to indeed actively torture the helpless Grover, even as he goes to extraordinary lengths to avoid his fear.
This is far from the most disturbing aspect of the book, however, as a closer analysis shows. Of The Monster at the End of This Book's twenty pages, eighteen are devoted to Grover's fear and anxiety of monsters. The final two pages conclude the story with a seemingly happy ending, as Grover is relieved to discover "[he], lovable, furry old Grover [is] the monster at the end of this book. And you were so scared!" (Stone 19). Instead of bringing the story to a satisfying conclusion, however, these pages instead seem to recontextualize the entire work. Grover is himself a monster, and yet the first thing he admits to us is that "Oh, [he is] so scared of Monsters!!!" (Stone 1). In this light, the entire work seems to be an obvious exploration of Grover's internalized self-loathing. One can imagine the same story told from the perspective of a gay person, or a Jewish one, or a member of any other minority group towards its other members, and the result is equally disturbing.
Grover's lack of identification with his monster self is not only evidence of his prejudice, but also raises questions about his level of assimilation with the larger, non-monster community. The audience for the book is clearly intended to be solely made up of non-monsters, and Grover joins himself immediately to this group and denying his own heritage as he allies himself with the majority. The greater social prejudices towards monsters, then, do have huge personal effects on the individual Muppet, and Muppets studies definitely requires further analysis into this promising field.
fox1013 made me.
This is far from the most disturbing aspect of the book, however, as a closer analysis shows. Of The Monster at the End of This Book's twenty pages, eighteen are devoted to Grover's fear and anxiety of monsters. The final two pages conclude the story with a seemingly happy ending, as Grover is relieved to discover "[he], lovable, furry old Grover [is] the monster at the end of this book. And you were so scared!" (Stone 19). Instead of bringing the story to a satisfying conclusion, however, these pages instead seem to recontextualize the entire work. Grover is himself a monster, and yet the first thing he admits to us is that "Oh, [he is] so scared of Monsters!!!" (Stone 1). In this light, the entire work seems to be an obvious exploration of Grover's internalized self-loathing. One can imagine the same story told from the perspective of a gay person, or a Jewish one, or a member of any other minority group towards its other members, and the result is equally disturbing.
Grover's lack of identification with his monster self is not only evidence of his prejudice, but also raises questions about his level of assimilation with the larger, non-monster community. The audience for the book is clearly intended to be solely made up of non-monsters, and Grover joins himself immediately to this group and denying his own heritage as he allies himself with the majority. The greater social prejudices towards monsters, then, do have huge personal effects on the individual Muppet, and Muppets studies definitely requires further analysis into this promising field.
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22/11/06 02:04 (UTC)(no subject)
22/11/06 02:13 (UTC)...You should totally write a rebuttal, now.
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22/11/06 02:14 (UTC)...
i. um. am kind of disturbed that this is my only muppet icon.
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22/11/06 02:35 (UTC)I just bought a copy for my nieces, and was struck by its formal postmodernism, which of course allows Grover to move from abjection to denial by transferring his anxiety of the self directly onto the reader, and also implicates the reader directly in the social structures that create his abjection. In the end, the act of recognizing himself as the structuring monstrosity of the text, much like the Lacanian mirror stage, ends up being his way of entering into language and subjectivity.
Plus, the girls really like Grover, although not as much as they love Elmo.
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22/11/06 02:42 (UTC)Also, you get two thumbs up. Woot.
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22/11/06 03:11 (UTC)umm, what else. oh, lemony snicket and the please-stop-reading.
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22/11/06 04:08 (UTC)But...but at the end, he realizes monsters are nothing to be afraid of, that he is nothing to be afraid of, after all?
::desperately textwanks::
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22/11/06 04:34 (UTC)For the win!!!
22/11/06 04:46 (UTC)::moves in::
Re: For the win!!!
22/11/06 04:47 (UTC)Re: For the win!!!
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22/11/06 04:50 (UTC)(no subject)
22/11/06 06:43 (UTC)it's so. TRUE.
22/11/06 04:50 (UTC)...Also, the words Muppet and seminal in the same sentence are seriously breaking my brain. Er, what's left of it *resumes helpless laughter*
Re: it's so. TRUE.
22/11/06 06:44 (UTC)(no subject)
22/11/06 05:07 (UTC)Gold star, pat on the head, cookies for you, etc!
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22/11/06 06:44 (UTC)(no subject)
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22/11/06 05:19 (UTC):very sad:
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22/11/06 08:17 (UTC)Because, yes.
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22/11/06 16:57 (UTC)(no subject)
22/11/06 11:13 (UTC)You will have to discern for yourself if it indicates a breakthrough for Grover... Wubba wubba therapy may be a viable countermeasure to minority discrimination.
"The Monster In The Mirror"
Words by Norman Stiles
Music by Christopher Cerf
sung by Grover
Saw a monster in the mirror when I woke up today
A monster in my mirror but I did not run away
I did not shed a tear or hide beneath my bed
Though the monster looked at me and this is what he said:
He said "Wubba wubba wubba wubba woo woo woo"
Wubba wubba wubba and a doodly do
He sang "Wubba wubba wubba" so I sang it too
Do not wubba me or I will wubba you
Do not wubba me or I will wubba you
Told the monster in the mirror, "No, I am not scared"
Then I smiled at him and thanked him for the song that we had shared
Well, the monster thanked me too, he smiled right back and then
The monster in the sang his song again
He said "Wubba wubba wubba wubba woo woo woo"
Wubba wubba wubba and a doodly do
He went "Wubba wubba wubba" so I sang along
Yes, wubba wubba wubba is a monster song
Wubba wubba wubba is a monster song
Wubba wubba wubba wubba woo woo woo
Wubba wubba wubba and a doodly do
He went "Wubba wubba wubba" and I sang along
Wubba wubba wubba wubba wubba wubba
Yes, wubba wubba wubba is a monster song
Wubba wubba wubba is a monster song
If your mirror has a monster in it, do not shout
This kind of situation does not call for freaking out
And do nothing that you would not like to see him do
'Cause that monster in the mirror he just might be you
Singing "Wubba wubba wubba wubba woo woo woo"
Wubba wubba wubba and a doodly do
Wubba wubba wubba you can join in too
Wubba wubba wubba wubba wubba wubba
Yes, if you wubba me then I will wubba you
If you wubba me then I will wubba you
Going wubba wubba wubba is the thing to do
Everytime you wubba us we'll wubba you